In this, the third and final book of the Peaches series, author Jodi Lynn Anderson brings Murphy, Leeda, and Birdie back to the Darlington Orchard for one more summer of exploration, adventure, and romance before bringing their stories to a close. Wild Murphy cut all ties with Bridgewater, Georgia when she moved to New York City after high school, including those with boyfriend and all-around great guy Rex. Deciding to return home for the summer means facing him again and facing some truths about her emotional hangups. Beautiful, perfectionist Leeda has found love with a perfect new boyfriend at Columbia University, and his love gives her an instant identity complete with a circle of new friends. When she returns to Bridgewater and receives a most unusual inheritance from her eccentric grandmother, Leeda may finally have to confront who she is and what she wants. Meanwhile Birdie had planned to stay in Mexico where she has been studying abroad and where she and Enrico have grown even closer…perhaps too close since Birdie shows up at the orchard unexpectedly at the start of the peach picking season. Birdie finds that her father has plans for the orchard and the house that may destroy her dreams. Now Birdie must decide whether she really wants what she thought she wants and figure out how to follow her true heart.

The writing is a little uneven on this installment, but the characters are richer and those who’ve read the first two will enjoy seeing where life is heading for the three girls. A sweet story of love and growing up. If you loved the Sisterhood of the Travelling Pants, you’ll want to grab this series too.

Madapple, also known as “rank-smelling, rash-causing, poisonous jimsonweed…green dragon and stinkwort and angel’s-trumpet” is also the title of the strange and intriguing first novel by Christina Meldrum. Meldrum took to the old addage to “write what you know,” spinning a tale that taps her knowledge and interest in nature and religion and her experience with the juidicial system. It is the story of Aslaug Hellig, a young woman raised in almost complete isolation by her mother in rural Maine. Her mother, Maren, has encyclopedic knowledge of science and philosophy, and, scorning the education the local school would give her daughter, educates Aslaug herself. Aslaug grows in academic knowledge but remains ignorant of the outside world or how to socialize with the people in it. Aslaug also has no knowledge of who her father is, as Maren refuses to give Aslaug any details about her family and relatives. Aslaug feels this ignorance, and resents her mother for keeping her insulated from the world even though she also loves her mother in a worshipful sort of way.

The chapters following Aslaug are filled with a lyrical beauty, which contrasts deeply with the interspersed chapters covering Aslaug’s trial for the murder of her mother, aunt, and cousin (I warned you this was a strange book). These pages read like transcripts and allow the reader to judge Aslaug’s story like a juror, hearing the events and circumstances of Aslaug’s life through the eyes of coroners, police detectives, and forensic pathologists. This is a powerful technique when mixed with Aslaug’s telling of events, one that builds suspense and a feeling of horror as you begin to put together the truth and suspect that justice may not be done in this case.

All told, an extremely well-written book full of mystery and suspense, one that technically fits the young adult label since the main narrator is a young adult but is definitely meant for more mature audiences since it deals with deep philosophical questions and issues like incest and drug use.

“I remember wanting the madapple to carry me away, to take me to that place again. And I wonder, If I go, will I find Mother there?”

I write this post still feeling emotionally devastated by the experience of reading Elizabeth Scott’s Living Dead Girl. This terrifying novel is the account of 15-year old “Alice,” a young woman who has been in the clutches of a sexual predator since he kidnapped her at age 10. Ray has named her Alice…the same name he gave his last victim. Now Alice is nearing the age when Ray tired of the previous girl, and despite the fact that he starves her to keep her looking like a child, Ray grows angrier with her every day. She longs for the release of death, but Ray has something much more sinister, much more sadistic in mind.

The prose in this novel is so sparse and lyrical it feels like poetry. The author convincingly portrays not only the physical but the psychological damage Ray inflicts on Alice; Alice seems barely human at times, incapable of any but the basest instincts.

I usually avoid this type of book, put off by the “movie of the week” feel of the plot description, but this one just drew me in despite (or maybe because of) my intense feeling of horror on reading the inside cover. I feel wrung out having finished this novel, and still slightly nauseated…but I can’t deny it was a powerful reading experience. Certainly a must read for those who liked The Lovely Bones by Alice Sebold.

Have you ever had a dream so powerful you found it hard to wake from? Janie has…in fact Janie does, quite frequently, only the dreams are not her own. Since Janie was 8 years old she has been pulled into the dreams of people who sleep in close proximity to her. She simply falls asleep in the midst of what she is doing and watches the dreams–the secret dreams of the girl at the sleepover, the humilitating dreams of the kid in study hall, the distorted dreams of her alcoholic mother. She sees her best friend’s reoccurring nightmare and the frightening, horror-filled dreams of a strange boy she hardly knows. She fights to gain control and fears this affliction will destroy her life–how can she possibly go to college or have a relationship if she can’t be near people who sleep?

The novel is written in short chapters over time and dated like diary entries, giving the story much drive and suspense. A couple plot elements are a little far-fetched, but the struggles of kids with rough home lives is portrayed sensitively and realistically, as is the touching romance in the story. Overall I enjoyed this quick read, realistic with some sci-fi-ish elements, and I’m super excited for the sequel, Fade which arrives February 10. Lisa McMann is an author with a lot of talent, and I’m looking forward to seeing what she comes up with next.

Here’s a book trailer I stumbled upon for Wake–it takes a different angle on the book than I would have, but it’s interesting none the less.

Sara Zarr’s debut novel is an emotional and realistic book about a girl whose life is not what she planned. In the novel’s opening lines, Deanna, the narrator, tells us: “I was thirteen when my dad caught me with Tommy Webber in the back of Tommy’s Buick, parked next to the old Chart House down in Montara at eleven o’clock on a Tuesday night. Tommy was seventeen and the supposed friend of my brother, Darren.”

Deanna is now sixteen and regretting the choices she has made. Her father hasn’t really spoken to her since that night, and Tommy has ruined her reputation by telling his friends what they did. At school her only protection from the slurs and inuendo are her best friends Jason and Lee, who are now dating because she set them up. This development has left her feeling jealous and even more isolated. Her consolation is her older brother, who still lives at home with his girlfriend and their baby April. When she is with them, Deanna feels needed and loved and she formulates a plan to earn money so they can all move out of their parents’ depressing, loveless home. Toward this end, she finds a job, but what she doesn’t count on is getting a job where she’ll have to see Tommy every day.

Going into this book, I expected it to be sort of a sappy, after-school special kind of story. But I am happy to report this novel is nothing of the sort; it is honest and moving and a compelling look at the effects of physical and emotional abuse on a young girl.